Paal Nilssen-Love review

http://www.allaboutjazz.com/php/article.php?id=45007&pg=8#.UfYkDxaf_ww

With an eleven-tet this strong, it was particularly remarkable that Äleklint stood out, but his control over multiphonics was especially impressive, as was his ability to swoop down into low guttural registers in an a cappella solo that was one of the set’s highlights, leading to a similarly impressive turn from Molstad.